Category Archives: ART

Sell up now before it’s too late, expert tells Damien Hirst fans

The Independent News Article –

Sell while you can. That is the stark warning from a senior museum figure to anyone who has bought an artwork by Damien Hirst, the self-styled enfant terrible of British art.

Writing in the Opinion pages of today’s Independent, Julian Spalding, who has headed some of Britain’s foremost public galleries, predicts the bubble will soon burst for Hirst and fellow exponents of what he calls “con art” – a play on the term “conceptual art”, the so-called art of ideas. He likens this bubble in the art world to the sub-prime mortgage crisis. It will crash, he says, when collectors realise how “seriously worthless” conceptual art is.

Spalding’s attack comes as Tate Modern prepares to unveil “the first substantial survey” of Hirst’s work in the UK, opening next week. The gallery praises Hirst for creating “iconic work”. But Spalding said: “The emperor has nothing on. When the penny drops that these are not art, it’s all going to collapse. Hirst should not be in the Tate. He’s not an artist. What separates Michelangelo from Hirst is that Michelangelo was an artist and Hirst isn’t.”

Ridiculing Hirst’s pickled shark as lacking true artistry, he said: “To take one example, [the shark] is not only not worth the $12m… paid for it, it isn’t worth a cent, not because it isn’t great art, good art or even bad art, but because it isn’t art at all.”

Spalding was director of the Sheffield, Manchester and Glasgow galleries, with world class collections. He promoted Beryl Cook andL S Lowry, artists loved by the public but loathed by the avant-garde.

His condemnation of conceptual art is fully explored in a new book Con Art – Why You Ought To Sell Your Damien Hirsts While You Can, published on April 1. Likening himself to the boy who pointed to the Emperor’s clothes, Spalding warns: “All genuine creative effort has been knocked into the shadows…The con lies in…calling something art that isn’t art.”

Hirst is one of Britain’s richest men, through marketing his “brand”, Spalding says. In 2008, he auctioned works for £111m, a world record. He has faced accusations of plagiarism and unproven rumours that he inflates prices by buying his own works – but Spalding’s devastating attack goes further by saying that it is not art at all.

The cover of Spalding’s book features Dolly the sheep, a play on Hirst’s pickled sheep and, perhaps, on collectors collecting like sheep.

He also takes aim at Tracey Emin, noting that putting an unmade bed in an art gallery does not “make it a work of art”. He said: “The Mona Lisa is the Mona Lisa wherever it is, hung in an airport foyer or… even lying in a gutter.”

Both the Tate and Science, Hirst’s company, declined to comment.

Timeline: How the Damien Hirst phenomenon unfolded

1992
The Physical Impossibility of Death in the Mind of Someone Living, commissioned by Charles Saatchi for £50,000, comprising a shark pickled in formaldehyde, goes on display. Sells in 2005 for £6-7m.

1996
The spot painting Adrenochrome Semicarbazone Sulfonate, 1992, sells for £32,200 at Christie’s, as part of the artist’s first successful sale at auction.

1998
Christie’s sets a world record price for Damien Hirst at auction by selling his medicine cabinet, God, for £188,500.

2000
Hymn, a huge sculptural rendering of a human anatomical model created in 1996, is purchased by Charles Saatchi for £1m.

2006
Sculpture Away from the Flock sells for £1.8m, beating his previous record of £1.2m. Massimo Lauro, the Italian shipping magnate, bought the work in 1996 for a reported £40,000.

2007
Hirst set the record at Sotheby’s – £9.65m for Lullaby Spring, a medicine cabinet – for a work by a living artist. For the Love of God, a skull encrusted with 8,601 diamonds, is sold for £50m.

2008
Hirst becomes first artist to sell a complete body of work, Beautiful Inside My Head Forever. The 223 items reach a £111m, including £10.3m for The Golden Calf, in formaldehyde.

2011
Total sales for Hirst works fall from £170m in 2008 to £12m in 2009. Hirst said he was optimistic prices would recover and by 2011 another of his 1,400 spot paintings sells for £1.8m.

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Odd Future Tour 2012 Update


New York


Boston

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Vector illustrations by David Sossella

Cool vector illustrations by David Sossella from Treviso, Italy.

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Kid B. + DOPE Vol.2


Tracklist –

01 Cherub – Doses And Mimosas
02 Daft Punk – Something About Us (Cherokee Remix)
03 Moon Boots – Aretha (Zimmer Remix)
04 James Blake – The Wilhelm Scream (Poindexter Remix)
05 U-Tern – You Don’t Know Me
06 Architecture In Helsinki – Escapee (Frames Remix)
07 Foster The People – Houdini (Rac Remix)
08 Mark Farina – Dream Machine
09 Jurassic 5 – Canto De Ossanha
10 Sade – Love Is Found
11 Rebecca And Fiona – Dance
12 Mark Ronson Ft. Erykah Badu – A La Modeliste (Bonobo Remix)
13 Dom Kennedy – Opm
14 Schoolboy Q Ft. Kendrick Lamar – Blessed
15 Memory Tapes – Wait In The Dark (Jensen Sportag Remix)
16 Yolanda Be Cool – Le Bump (Jesse Rose Remix)
17 The Sound Diggers – B My Revolution (Tom Drummond Remix)
18 Foster The People – Helena Beat (Wheel Wells Remix)
19 Icona Pop – Nights Like This (Csy And Stripes Remix)
20 Oliver – All Night (Dublin Aunts Heart Filtering Edit)
21 Prince – When Doves Cry (Finnebassen Remix)
22 Woodkid – Iron (Gucci Vump Remix)
23 Whitesquare – Luniz Boots
24 Oliver – Footsteps
25 Marvin Gaye – Give It Up (Morsy Remix)
26 Yelle – Comme Un Enfant (Oxford Remix)
27 Plej – Safe Place
28 Daughter – Youth (Love Thy Brother Remix)
29 Active Child – Johnny Belinda (White Arrows Remix)
30 Santigold – Disparate Youth
31 Metric – Collect Call (Adventure Club Remix)
32 Sbtrkt – Never Never
33 Weekend Players – Best Days Of Our Lives

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i-D Magazine 2012 Spring Issue feat. Karl Lagerfeld

Iconic figure Karl Lagerfeld is featured on their spring issue of i-D called “Royalty Issue”. Dropped 22nd March.

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Timing by KeilyN

Be on the lookout for the official video to his lead single off Timing, ‘Dope Boy,’ coming soon!

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Burn + Darcel + colette

Part of colette’s 15th anniversary Carnival was this collaboration with Swedish Energy drink, Burn. The 2 can set features artwork by Darcel.

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Natural Highs

Any surfer know’s getting barrelled is one of the best natural highs (if not the best) you can experience If only there was some way you could stay in the moment forever.

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Liberatum Hong Kong International Festival of Culture 2012

I’m so excited for Liberatum Hong Kong not only because HK will have the pleasure of international cultural icons, creative leaders and artists including Pharrell Williams, Khalil Fong, Thomas Heatherwick, Philip Treacy, Marianne Faithfull, Daniel Wu, William Orbit, Paul Schrader, Terence Koh, Mike Figgis. But because my fellow ELEQT ambassador Diana is achieving what many only talk about in HK. She’s on a mission to put HK on the map and I couldn’t be more supportive of her. The festival will bring art, design, fashion, literature, film and music all together for 3 days. The Liberatum Hong Kong International Festival of Culture will run between April 27-April 29 2012. Can’t wait!

For further information click here

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LEGO: “Imagine” Campaign

Can you guess all of these?  Answers at the bottom after the jump….

1 – South Park
2 – The Simpsons
3 – Teenage Mutant Ninja Turtles
4 – Donald Duck

GENIUS IDEA!!

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Andrew Montell: Carbon – A Building Block of Australian Street Culture

Hypebeast Interview –

Hypebeast recently had the esteemed pleasure to pick the brain of Carbon Festival founder and editor-in-chief of ACCLAIM Magazine, Andrew Montell. In this brief piece, the Australian native offers a glimpse into his early years in publishing, the development of his homeland’s creative subcultures, his current and future undertakings, including the Carbon Festival – which will be held late next month – and much more. The latest issue of ACCLAIM Magazine, based around a DIY theme features Iggy Azalea on the cover and an alternate cover design by Dust La Rock, that will hit newsstands soon.

Can you introduce yourself and what you do?
I’m Andrew Montell, I come up with creative concepts and try to make them a reality. I wear a few different hats, including GM, Editor In Chief and Creative Director. My various endeavours include ACCLAIM Magazine, acclaimmag.com, the Carbon Festival and various marketing/advertising initiatives for clients such as New Balance and New Era.

How did you get involved in both street culture and creating a magazine?
Back in 99 a buddy and I put together a photocopied zine titled ‘Out4Fame’ which was dedicated to showcasing the Melbourne hip-hop scene. At the time I was a pretty terrible bboy and dabbled in graffiti and even MC’d badly (very embarrassing) but it was through the creation of this zine that I found my feet, so to speak. We evolved that zine into a full colour, free magazine that was distributed around Australia and New Zealand until December 2005. I also toured hip-hop acts around Australia and produced many concerts and events. I went broke several times during that period and narrowly avoided bankruptcy at the end of that business. Feeling disillusioned by the politics and bullshit of the local hip-hop scene and having evolved my own interests I decided to try producing a news stand title that was more of a broader street-culture, lifestyle magazine and ACCLAIM was born, debuting early 2006. As the publishing game has changed quite dramatically we have also reinvented our business to be a Creative Agency with the print publication as one part of a bigger picture.

Where did the idea of Carbon come about? What do you hope to achieve?
Originally my idea was for a streetwear trade show with discussion forums for industry people as a side event. We delivered the trade show concept under the title of Buffet in 2010 and while the trade show aspect struggled due to the relatively small size of the street industry here in Australia, the discussion forums headlined by jeffstaple were very positively received. That was the ‘lightbulb moment’ for me. My team and I began brainstorming a format for delivering a forum event that could stand out from existing creative conferences and be representative of our own mindset.

We hoped to achieve an event that would be inspirational and educational whilst introducing influencers from overseas to Melbourne and the creativity being fostered here. It was designed to be relevant to the young aspiring entrepreneurs out there as well as people already working in the industry.

Coming from a publishing background, was it something difficult to achieve or rather seamless?
It certainly wasn’t easy. We pulled together a fairly epic event with only a couple of months preparation. Whilst we’re recognised as a publishing company we have always produced small to medium events as part of our business and my personal event production and management experience is fairly extensive, so it wasn’t entirely new to us. That said, this was a fairly unique project to put together with very unique challenges. Luckily for me I work with a very talented and dedicated team of people who all went above and beyond to help deliver the first Carbon festival. This year we’re far more prepared!

It seems a lot of people from media backgrounds make the move into other projects whether it be tradeshows or design. What do you equate this to?
I think in the past, probably just logical investment for media businesses into other related industries. These days, for many media businesses traditionally reliant on print revenues, expansion into other areas is a necessity! I can only think of a few select examples of magazine publishers who are still solely reliant on income from print. I guess you have to be good at communication to be successful in media and the communications skill set translates well into developing projects towards particular target audiences. [Sorry if this is reading like a marketing essay haha]

On a creative level, how would you describe the scene?
Right now I am seeing some really great art and design innovation from individuals, smaller collectives and independent brands, some from very unlikely places. On the flipside of the coin, commercially the “me too” mentality seems to be more prevalent than ever. The ‘peer pressure’ for brands to follow suit when a particular trend in fashion takes off can be pretty detrimental to creativity. My respect lies with brands and individuals that can progress with trends whilst still maintaining a very unique visual identity.

Education seems to be an integral part of Carbon’s approach, how important is bringing in global experts to help expand Australia’s horizons?
One of the biggest pitfalls to being based in Australia is our geographic isolation from the rest of the world. Educating people about creative movements and trends from cultural hubs around the world is really important to the expansion of Australian horizons. I believe that having inspiring individuals present to an audience and allowing for direct interaction between these speakers and the audience, is far more effective than browsing the internet for updates on what these people are doing thousands of miles away. Carbon is largely about the exchange of ideas, and this exchange happens on many levels, from the speaker/audience interaction to the networking between the different creative and industry people in attendance and the new relationships that grow out of all of this.

What is the unifying theme between the participants that have been invited out? How was the selection process? 
Everyone on the Carbon speaker list is actively creating today and relevant to a contemporary audience. The selection process is a little tricky and several different points of view are considered when we short list our speaker wish list. Unlike other discussion forums or conferences, each forum at Carbon explores a particular theme, so speakers are selected based on their relevance to a particular theme rather than simply choosing people who can share a portfolio of work.

Any last words?
Shoutouts to everyone at ACCLAIM (Alexandra, PJ, Chris, Vinny, Meisy, Cdot) and Frank Liew working behind the scenes to pull this event together.
People should really consider a trip to Melbourne for the Carbon Festival. You can find full details at www.weareallcarbon.com.

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‘Louis Vuitton – Marc Jacobs’ Exhibition – Commented Walktrough

Curator Pamela Golbin takes fashion journalist Louise Roe to the tour of the ‘Louis Vuitton – Marc Jacobs’ exhibition.

Louis Vuitton Marc Jacobs is a story of two personalities and their contributions to the world of fashion : Louis Vuitton, founder of the house of Louis Vuitton in 1854, and Marc Jacobs, its artistic director since 1997. Two innovators , both rooted in their respective centuries, advanced an entire industry. Two creators , each in his own language, appropriated cultural codes and trends in order to shape the history of contemporary fashion.

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Tintin Swagger

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Drive


This movie has the meanest soundtrack and I love the directing and storyline. Check the cool intro and track called ‘Nightcall’ by Kavinsky & Lovefoxxx and a few unofficial posters inspired by designers. Movie directed by Nicholas Winding Refn.

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Edible Pantone Swatches by Emilie de Griottes

Food designer Emilie de Griottes, created a series of desert tarts for French culinary magazine Fricote. Emilie recreated Pantone colour swatches using various fruit placed on tart bases with ends iced in white showing Pantone colour names and codes.

Visually delicious!

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Colette Carnaval: 1997/2012 (15 Years)



For a whole week-end, Colette celebrated its 15th birthday. Outside its walls, under a gigantic tent of 4 000m2 in the Garden of Tuileries, the shop invited brands and collaborators to run stands and attractions in a festive atmosphere. Food stands, design, beauty, fashion, musical animation, sport and art, a great choice which illustrates the eclecticism of Colette. With a free entrance and for a wide public, the event was a sucess. 2 000 entrance a day, 4 000 for the whole week-end.

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Illustrations by Richard Wilkinson

Richard Wilkinson is an artist and illustrator based in Brighton, England.

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Nas: The Don


Mean track.

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Cheeseburger Wrapping Paper by Gift Couture

Gift Couture is a start-up wrapping paper company that aims to offer high-quality wrapping paper sets that are creative, unique and innovative.

“We will produce unique papers that coordinate together into conceptualized themes and sets. This is exemplified in the Cheeseburger set that we chose to use as the initial project. This includes 5 different wrapping paper designs; a bun, hamburger, cheese, lettuce, and tomatoes, all of the components of a Cheeseburger!”

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2011/09 Creative Mornings with Sid Mashburn

The very first speaker for CreativeMornings/Atlanta was fashion designer Sid Mashburn.

ABOUT CREATIVEMORNINGS?

CreativeMornings is a monthly breakfast lecture series for creative types. Each event is free of charge, and includes a 20 minute talk, plus coffee! (creativemornings.com)

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