Category Archives: CULTURE

Conference of cool.

Robin Williams, Billy Crystal, Steve Martin and Chevy Chase.

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A mother’s love.

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A Bathing Ape BAPE COFFEE TABLE

A Bathing Ape is introducing a large coffee table later this month as a part of its BAPE STUDY EXHIBITION at BAPE GALLERY. Measuring 60 x 90cm and standing 36cm high, Set for a release on August 18 through BAPEXCLUSIVE locations, the coffee table will retail for ¥68,000 JPY (approximately $869 USD).

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CryENGINE 3 Crysis 3 Tech Trailer


Now, with DirectX 11 support, real-time rendering has gotten even better, allowing for some of the best visuals ever seen. With CryENGINE®3, what you see is what you play as the new tools for the engine allow for tessellation in real-time, improved ocean and water rendering, enhanced character technology, and dynamic volumetric light beams and light shaft effects. These new tools can be appreciated in the beautiful visuals of Crysis 3, from the lush environments and lighting effects, to the detailed characters.

Website: http://mycryengine.com/

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THOROCRAFT 2013 Spring Collection

THOROCRAFT’s styles for the season revolve around several themes including the leather craft in the Veneto region of Italy. The theme is manifested over the Ross, Troy and Roman styles while other highlights include the laser-cut Mercer which offers exceptional breathability for a shoe of its kind. Look for availability soon through a growing list of global stockists with prices ranging between $180-$250 USD. For more information visit the brand’s official site.

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The Dawn of the New Retailer: Retail’s Changing Model

Hypebeast Article –

You certainly won’t find today’s most remarkable or valuable retail stores at your local mall.

It all started with the success of Gilt Groupe a few years ago, the entity that took the concept of sample and flash sales online. The past few years have seen the rise of local coupon or group-buying sites, likeGrouponLivingSocial, and TeamBuy. Meanwhile, in the physical landscape, fast fashion retailers like Zara and H&M are dominating; in fact, Zara already overtook GAP a few years ago to become the world’s largest retailer.

The major beef with Zara is quality. Even though this vertically-integrated company has been crushing sales, its reputation has suffered quietly for its less-than-durable goods and at times plagiarized designs. Zara is looking at methods of growth right now; the fast, aggressive expansion that they’ve been known for is clashing with the growing pains of scaling their own model to span the globe.

Fast fashion is a trend taking over the world. What happens when it reaches a peak, and consumers discover that they want more original goods? What happens when companies are able to combine competitive prices with high quality goods, ranging from fashion to eyewear?

Keep these questions in mind as we explore some of the Internet’s most interesting retail start ups.

Shining Light on Artificially High Prices
“This is technology that was invented 800 years ago. Why should a pair of glasses cost more than an iPhone?” challenges Warby Parker co-founder David Gilboa in his interview with TechCrunch. “We realized the only reason why glasses are so expensive is because there’s a handful of companies that control the supply chain. So there’s one company called Luxottica that basically owns or controls all the brands that most eyewear consumers have heard of. Oakley, Ray-Ban… they own all those brands, and they own licenses to most major fashion houses. Chanel, Prada, Dolce & Gabbana, DKNY; none of those fashion brands actually produce or distribute any of their own eyewear, they just collect a royalty from Luxottica. They also own Lenscrafters, Pearle Vision, Sunglass Hut, Target Optical, Sears Optical, a bunch of other retailers. And they own EyeMed, which is the second largest vision insurance plan in the U.S.”

“They keep the prices artificially high,” chimes in another Warby Parker co-founder Neil Blumenthal.

Today retailers like Everlane, Warby Parker, and Bonobos lead the charge against these artificially-high prices. Each organization is focused on selling designer-quality goods at low prices: Everlane specializes in apparel, Warby Parker concentrates on eyewear, and Bonobos focuses on pants. All of them bypass expensive licensing fees and do everything themselves: design, manufacturing, branding, and retail. Essentially, they’ve cut out the middlemen and retail store costs that play into the logical cause of huge markup. (This is not to ignore the additional markup high-quality brands use to create exclusivity and perceived value.)

Each one does things differently from each other: for example, Everlane has three unique traits:

  • Everlane sells four types of goods every month (each one under $100 USD), each of a different variety. For example, in the first month, Everlane could be selling knapsacks, shades, beanies and cardigans. The following month will have none of those items in stock; instead, the only items available will be hoodies, bow ties, leather belts (at-cost sometimes!), and sleeveless tees.
  • The company manufactures in small batches, so consumers know that there’s a chance that Everlane may run out of that month’s stock if they bide their time ruminating about a purchase.
  • Loyal Everlane customers, thus, aren’t exposed to the same ole’ pair of jeans every month; they get the opportunity to purchase items that they haven’t seen before. Everlane gets loyal customers that are very enthusiastic to re-purchase items next month.

Warby Parker’s unusual approach comes from its flexibility in getting people to try their product:

  • Warby Parker makes a Home Try On kit available for free to potential clients; each kit comes with a series of frames that people can try on at home for five days (return shipping is prepaid). If you like what you see, you can pay $95 USD for your prescription eyewear – all inclusive of lenses and frames.
  • Also, each time you buy a pair of Warby Parker’s glasses, they give away a pair to someone in need; Sound reminiscent of TOMS’ value proposition?

Bonobos sells really affordable, fitted (and vibrant) pants that are usually price at $88 USD:

  • Having started in 2007, Bonobos is in a more advanced stage of expansion than Warby Parker and Everlane. They have been experimenting with ways to scale effectively.
  • In April 2012, retailer Nordstrom sunk some money into Bonobos’ equity and has started distributing some of Bonobos’ flagship items at Nordstrom stores.  ”We understand there are people who still want to touch and feel clothing before they purchase. We realized we needed help expanding beyond our web-only roots,” says Bonobos founder Andy Dunn.
  • Bonobos also is experimenting with a brick and mortar retail store in Boston.

Why hasn’t this been done before?
According to Everlane co-founder Michael Preysman, there are two factors playing into this: radical transparency and the virality of social media. In an interview, Preysman recalls a series of conversations:

“We’ve told people before, ‘Hey, we’re going to tell people how much our T-shirts cost.’

‘Well you’re stupid.’

So maybe we’re stupid, and we’re fine with that.”

Everlane is nowhere near the first company attempting to be transparent; they’re just one of the first to be as vocal about it having selected a powerful medium to evangelize. They’re not afraid to appear stupid either. They’ve gained a ton of attention from a controversial infographics about fashion prices they posted on their Tumblr (at the time of writing, it had over 18,000 notes).

Traditionally, gaining this level of attention would have required a marketing budget, which would have resulted in an increase in markup. However, thanks to the social web, specifically the reblogging nature ofTumblr, and its lack of cost, Everlane was able to create something that appeared before hundreds of thousands of viewers by going viral.

This particular infographic spawned a series of reactions around the blogosphere (many neatly collected in this article), which served to even further its reach. It’s that sort of concept that appeals to the people that turn into customers: Why are you paying this much for designer-quality goods, when you could be paying so much less?
Everlane, Warby Parker, and Bonobos manufacture beautiful and affordable goods. That’s not the only strategy that Internet retailers are taking to set their services apart.

Amongst the Next Generation of Retailers

Controlling Specific Niches
“We put out a product like a journalist writes a story,” explains Chris Lindland. Lindland is the founder and CEO of Betabrand, an internet company that sells apparel. “It’s almost an editorial calendar that drives design.”

Far from just another clothing store, Betabrand sells items with names like “Varsity Bike to Work Pants” and “Reversible Disco Jacket”. Their name reflects their own mentality: They push out new designs every week, and treat each item like it’s still in “beta” format. If an item doesn’t sell well, then they try again in small batches; if an item does, then Betabrand expands on it and creates new varieties of that item to retail. You’re understandably skeptical: Who the hell buys bike to work pants?

“Bicyclists — and, perhaps just as important, hundreds of biking blogs — have adopted Betabrand’s Bike to Work pants (khaki on the outside, with reflective detailing, and priced at $90),” as read in a New York Times article. Betabrand has managed to replicate that kind of virality that Everlane spread with its infographic, albeit to a much more niche audience – cyclists. Imagine the possibilities of the other items; what if disco blogs started blogging about Betabrand’s disco jacket, or if retro blogs started posting about their smoking jackets?

Connecting the Art Ecosystem
If you’ve ever wanted to replace that Godfather poster on your wall, you now have the opportunity to:20×200 sells affordable art. 20×200 pushes out 2 new pieces from a variety of artists weekly; they then manufacture 750 copies of each piece, and once the batches are sold out they’re gone – forever.

“The collectors are delighted — they are getting something that more than delivers on their expectations. To spend $20 and have some of it go directly to the person who made it — that’s hard to do these days, especially at any kind of scale. The artists are making more money than they’ve ever made as artists, in many cases. And their work is being respected and well represented in the process,” elaborates 20×200 founder Jen Bekman.

This young start up has made it feasible for artists to generate decent revenue from practicing what they love. It is creating the new norm that you don’t have to be rich to enjoy art, and that art can be profitable. Perhaps as 20×200 grows, the stigma of not being able to make money in art will slowly start to fade away.

Perfectly-tailored Dress Shirts
Esquire knows to preach against the harms of ballooning dress shirts. The folks at Kinowear have another name for it: “Bad Fit Disease.” Mainstream audiences are starting to realize that shirts aren’t just about patterns and colors; they’re about fit. Thing is, not everyone fits into those slim-fitted shirts at Zara; so what do we do when we want a shirt that fits us just right?

“People really like a Blank Label shirt because they can say, ‘I had a part in creating this,” says Blank Label founder Fan Bi. Blank Label allows customers to create customized dress shirts; like Indochino’s suits, they also have a presence in Shanghai and create products on-demand. Blank Label is an experiment in participatory commerce, with much perceived value coming from what’s known as the IKEA effect: people value things more when they play a part in creating it.

The thing that sets Blank Label apart from Brooks Brothers is price; where a dress shirt from Brooks Brothers might cost a bit over $200, a shirt from Blank Label starts from as low as $78. A more luxurious lifestyle just became much more affordable. Also, these retailers seem to be capitalizing on the long tail and then pushing their way up; for example, perhaps as fitted shirts catch on, Blank Label will grow with the trend.

The Sun is Rising
We’re looking at an interesting collection of companies here; Bonobos is wrestling with a challenge that each startup will have to tackle soon. How do they scale effectively? So far, many of their abilities lie in dealing with small audiences (like batch producing, or customization); how do these abilities get scaled?

A very real possibility of scaling lies with partnership and acquisition: Bonobos serves as a case in point. By bringing their goods ordinarily only available online (or at its flagship store in Boston) to 100 of Nordstorm’s frequently trafficked stores, Bonobos has been able to gain a ton of attention without breaking its marketing budget and still keeping goods at their current price point.

Another potential route is simply expanding slowly into the physical world through different tactics. Custom suit e-commerce company Indochino started opening up pop-up shops and integrating their retailing into reality. This also removes a barrier to many customers wanting to shop; now, customers actually can watch themselves get measured by tailors, and don’t have to worry about measuring themselves incorrectly or improperly.

OR, perhaps they don’t expand into physical world: in order to play competitively with physical stores, they all try to stay online and use that medium to keep costs low and spread word virally. The matter will be whether or not consumer behavior changes fast enough to keep up with this strategy; for example, people are already trying on goods using augmented reality.

Peering into the future, it’s going to be interesting watching these e-commerce retailers trying to take their businesses to the next level. The sobering reality is that Bonobos generates around $1 million/month, where a retailer like Nordstrom makes $10 billion/year (stats in this NYT article). The road to the top is a long one for these e-tailers, especially if they want to travel it on their own. How will these companies make it independently? Will they all end up being acquired as an arm of larger retailers in their own respective industries in the struggle to survive?

Or can they continue their innovative streak long enough to outlast their traditional counterparts?

Herbert Lui is passionate about entrepreneurship, art, and technology. In his spare time, he covers technology and startup news for Techvibes and CutEdge. If you want to connect (or heckle), please feel free to reach out on Twitter.

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OG Slick

Street art culture and the urban landscape of graffiti would be very different today, had it not been for the works and influence of OG Slick. The Honolulu native spent much of the 1980s in Los Angeles using his signature cartoony characters and unique approach to letter writing to shape the foundations and open doors for the burgeoning street art movement. Over the course of his career, much of his art migrated into fashion, finding collaborations with names like Stussy, X-Large and adidas. Slick now spends much of his time working on his clothing brand DISSIZIT!, which is soon to celebrate 10 influential years on the streets. You can stay ahead of Slick’s forthcoming projects on his DISSIZIT blog here

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Snap!

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The Water House, Li Xiaodong Atelier

The water house is a private house, located at the foot of snow mountain Yulong in Lijiang. Sitting on a wide open sloping site, which has a panoramic view towards Lijiang, an ancient trading settlement whose old town is famous for its historic network of waterways and bridges. The site lies at the foot of Yulong mountain, its peaks forming a dramatic backdrop to Li’s architecture. The house synthesises traditional forms and techniques to make a contemporary building that resonates with place and history. and the surrounding landscape. Conceived as an interlocking series of contemplative, inward-looking courtyards, the house has an open yet closed courtyard space. Closed in the sense, it is “secured” and “separated” physically from the ‘outside world” by design elements such as stone wall, reflective pool and leveling; yet it is open visually towards the outside environment.

The low profile architectural language by using local material and simple “non-experimental” tectonic skill is meant to blend the “artificial” into the nature and local culture. Here, focus is given to space and atmosphere. Emphasis is on local-texture and non-decorative detailing, the idea is to make the house a background, from which, nature could be appreciated to its extreme. The cluster of simple timber and glass pavilions with tile-clad pitched roofs evokes traditional forms but is still evidently of its time. Lightweight, slatted walls delicately veil the light, and bamboo plants form a luxuriant green heart in the building’s central courtyard. The cooling, calming presence of water threads through the house and low eaves frame and enclose indoor/outdoor spaces. The interior space is a minimum design, the intention of which is to leave indoor space clear and simple as much as possible, so that nature could be appreciated more from within. Li considers details are important contributors to the final results of the architecture, in this case, instead of decorative details, seamless clean details are designed to provide elegance to the overall effect of architecture.

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OriginalFake KAWS Companion: Resting Place

The release will be first made available via a lucky draw. Tickets will be available starting at 9:00 a.m. on Friday, August 31 at the OriginalFake Store in Aoyama, Tokyo.

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Why The Next iPhone Has A Two-Toned Metal Backplate

Cult of Mac Article –

At this point, most of our readers are familiar with what the next iPhone is going to look like, including the fact that it will feature a unibody design with a two-tone metal backplate. But what’s the story with that metal backplate? Has it been designed that way just to look good and set itself apart from the design of the iPhone 4/4S, or is there a more cogent design philosophy behind the three alternating stripes of metal and glass?

We won’t know for sure what Apple is thinking until the iPhone 5 is officially announced, but one industrial designer has a great theory about why the back of the next iPhone looks the way it does. As is usually the case with Apple’s design, the new iPhone’s back plate doesn’t just look good… it’s incredibly functional and magnificently strong.

 

Over at the The Techblock, Chicago-based industrial designer Don Lehman dissects the design of the next iPhone, and puts the design decisions being made in the context of what has come before.

Here’s what Lehman says is behind the two-tone backplate design:

When the iPhone 4 first launched, it was a GSM-only phone, meaning it only worked on cell networks using the GSM standard. (AT&T, yes. Verizon, no.) The GSM iPhone 4 introduced the idea of an external metal-band antenna. It broke into two sections. One section for cell/data reception, and another section for GPS, Wi-Fi, and Bluetooth. This design worked but was also susceptible to a signal degradation if gripped in the wrong spot (aka Antennagate).

When the CDMA version of the iPhone 4 came out in February 2011, the design of the steel bands changed. This design would also carry over to the 4S. The 4S’s steel band is comprised of four pieces of steel: two U-shaped pieces at the top and bottom, and two long, flat pieces on the side. The steel sections don’t actually touch each other — they are separated by a .65mm piece of plastic. The way I understand the 4S cell antenna to work is this: There are two antennas, one at the top U bracket, and one at the bottom U bracket. The flat steel sides are only there to visually continue the metal band all the way around the phone and for structural reinforcement. The GPS, Wi-Fi, and Bluetooth antennas transmit out of the glass backplate.

Long story short, instead of using the entire metal band for antennas like in the 4, the 4S only uses the top and bottom sections as antennas. Since the flat sides don’t contribute to transmitting signal and only help with the structure of the device, it makes sense to make them even more integral to the structure. This is what makes a unibody iPhone possible.

This is a really interesting theory. What is especially interesting to me about it is that it explains why the new iPhone’s backplate is comprised of two small stripes of what appear to be standard Gorilla Glass with a big plate of aluminum unibody in the middle. It looks good, but it’s also a very different design choice than the kind Apple usually makes. According to Lehman’s theory, though, the metal part of the back plate makes the device significantly stronger, while the “strips” of Gorilla Glass allow the WiFi, Bluetooth and GPS antennas to peer out. Very smart.

It’s really worth reading Lehman’s entire article: he’s got a lot of very smart, very experiential things to say about the new iPhone’s design that go way beyond what we’ve outlined here. His article makes a good case for the fact that the next iPhone won’t just be the prettiest or thinnest iPhone yet, but the toughest one ever made too.

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Food for thought.

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Samsung Calls BS on Apple’s Charges of Copying


In this highlight from Late Night with Conan O’Brien, Samsung ”vigorously defends itself against Apple’s absurd allegations” of copying their designs.

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Miranda Kerr by Terry Richardson for Harper’s Bazaar September 2012

The top model will be featured in the new September 2012 issue of Harper’s Bazaar. This time she also goes naked, aside from her boots, in front of the lens of star photographer Terry Richardson.

Harper’s Bazaar interview here

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Tyler The Creator… on N*E*R*D


After one of his boys lets it leak that Tyler’s bedroom is full of Pharrell posters. He announces he wants to see N*E*R*D perform live.

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Wes Lang x Warrior Skull Print


Wes Lang‘s obsession with the Grateful Dead began in high school when he first painted the band’s images on the back of a friend’s denim jacket. Since then, the Brooklyn-based artist has had his work exhibited at galleries and museums around the world, shattering many of our notions of history, music and art. Nothing must have compared, however, to his recent commission to create the artwork for the Dead’s boxed set Spring 1990 and in this video Lang details for us the beginnings of his longtime love affair with the legendary band. The limited edition Wes Lang x Warrior Skull print may be purchased online at The Pancake Epidemic.

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Conference of Cool.

Johnny Depp and Allen Ginsberg.

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Apple Expected to Become World’s Biggest Gaming Platform by the End Of The Year

Cult of Mac Article –

Apple’s iOS devices have had a huge impact on gaming, and more and more people are choosing to get their kicks on the iPhone and iPad rather than dedicated handheld consoles from the likes of Sony and Nintendo. By the end of this year, analysts expect Game Center accounts on iOS to surpass the 200 million milestone, making it the world’s biggest gaming platform.

According to Apple, there are currently more than 130 million Game Center accounts, which means iOS devices are already more popular than home consoles like the PlayStation 3, the Xbox 360, and the Nintendo Wii. In fact, it’s currently the world’s third-largest gaming platform.

But Asymco expects Game Center to surpass 200 million users by the end of 2012, putting Apple’s platform way out in front, ahead of the Nintendo DS — the best-selling console to date. “No gaming device has ever reached the 200 million mark,” Asymco says.

If you look at OpenFeint figures, a third-party gaming platform on iOS, there are already more than 180 million people gaming on iOS devices.

Of course, it wouldn’t be accurate to look at sales figures alone, because not everyone who purchases an iOS device uses it for gaming. So Game Center and OpenFeint accounts are the most accurate way of determining the figures. Even then, you need to bear in mind that some users could have more than just one Game Center or OpenFeint account.

Even so, iOS devices have been gearing up to overtake consoles for some time.

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Snap!

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Forbes List of World’s Highest Paid DJs

Here is how Forbes came up with these numbers:

Our estimates include earnings from live shows—for many electronic artists, that often means more than $100,000 for a night’s work—and from recorded music sales, endorsements, merchandise sales and, in the case of DJ Pauly D, television (we included him on this list because, like his fellow Electronic Cash Kings, he makes at least half his cash from DJ gigs). Sources include Pollstar, RIAA, promoters, managers, lawyers and some of the artists themselves.

Check out the top 10 below:

1. Tiesto – $22 million

2. Skrillex – $15 million

3. Swedish House Mafia – $14 million

4. David Guetta – $13.5 million

5. Steve Aoki – $12 million

6. Deadmau5 – $11.5 million

7. DJ Pauly D – $11 million

8. Kaskade – $10 million

9. Afrojack – $9 million

10. Avicii – $7 million

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