Category Archives: DESIGN

DualForces x Vans OTW Capsule Collection

DualForces and Vans OTW have allowed us a glimpse of their recent collaborative effort. On the heels of working with entities such as DreamWorks, Nike and Stussy, the California-based DualForces group brings us this elegant yet casually designed footwear option named the Breton Boot. A release date is slated for July.

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Mars One Introduction Film


This movie shows how Mars One plans to establish a human settlement on Mars in 2023. Special appearance by our ambassabor Nobel Prize winner prof. dr. Gerard ‘t Hooft.
For more information visit www.mars-one.com

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Adam Kimmel Announces One-Year Break From Fashion. But Supreme Collab Will Go On.

“After ten years and eighteen collections, I have decided to take a year-long sabbatical from fashion. I intend to use this time to enrich my vision, spend time with my family, and explore a number of creative arenas that have interested me while I’m still young.

I am a designer and creator, first and foremost, I look forward to utilizing this next year to experiment and learn, and channel what I find into new concepts, designs and projects. I believe this is how designers become better stewards to their work.

I want to say thank you for their support and to all those who have been taking this journey with me, my team, my friends, partners and Carhartt which has been a particularly meaningful collaboration for me.

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A Future with Superhumans


Superhumans with neural implants may belong to the realm of science fiction for now. But the day is fast approaching when technology offers us abilities beyond our wildest dreams (or darker than our worst nightmares). PhD in Robotics and NYTimes best selling author Daniel H. Wilson had a conversation with us to discuss the near future reality of brain implants that make us superhuman.

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Contemporary Brown Desert Residence in Arizona

The city of Scottsdale, Arizona has been described by many as a desert version of Miami’s South Beach with plenty of late night partying all throughout the area, so it makes sense that such an incredible bachelor pad would reside in this desert town.

Designed by the team at Lake|Flato Architects, the Brown Residence is located on an expansive golf community, with incredible views offered through the entire dwelling thanks to the massive floor to ceiling windows. The backyard was designed for entertaining, equipped with a fire pit, swimming pool, and jacuzzi for taking in the scenic desert landscape.

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Refurbished Gas Pump Art

Artist James Dive of the creative collective The Glue Society has taken 40 gas pumps and transformed them into fun, creative and meaningful works of art. The pumps are turned into doghouses, guitar amps, phone booths, chairs, lamps and an assortment of other everyday objects. The project promotes the idea of a simplistic life without the use of petrol. Each piece has its own lighthearted character and charm. These new and improved pumps represent the notion of taking something existing and recycling it for a greater good.

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Words of Wisdom.

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Confederate X132 Hellcat Bike

$50,000 for a Confederate X132 Hellcat Motorcycle(Pre-order), featuring includes the billet aluminum case, and is finished off with clean carbon fiber wheels.

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Cyberwar Is With Us: Details Emerge About Use Of Stuxnet Worm In Iran


Stuxnet: Anatomy of a Computer Virus from Patrick Clair on Vimeo.

TechCrunch Artile –

In an excellent piece by David Sanger, the NY Times has confirmed what we all suspected: that the US deployed the Stuxnet worm, a powerful worm that targets very specific machines within Iran’s nuclear enrichment program.

Mr. Obama decided to accelerate the attacks — begun in the Bush administration and code-named Olympic Games — even after an element of the program accidentally became public in the summer of 2010 because of a programming error that allowed it to escape Iran’s Natanz plant and sent it around the world on the Internet. Computer security experts who began studying the worm, which had been developed by the United States and Israel, gave it a name: Stuxnet.

Some inkling to the source of the worm came in 2011 when Gary Samore, White House Coordinator for Arms Control and Weapons of Mass Destruction, said “we’re glad they [the Iranians] are having trouble with their centrifuge machine and that we – the US and its allies – are doing everything we can to make sure that we complicate matters for them.” However, until now the worm, which jumped out of the Natanz facility and into the wild, was considered a rare and effective cyber attack by an unknown party.

The worm took down “1000 of 5000″ of the centrifuges running n the facility. “It appears to be the first time the United States has repeatedly used cyberweapons to cripple another country’s infrastructure, achieving, with computer code, what until then could be accomplished only by bombing a country or sending in agents to plant explosives,” wrote Sanger.

There are two interesting points in this mission, one that could be rightly termed a fiasco. First: cyberwar is real and it is happening now. If this worm can shut down a secure nuclear facility, even through the “air gap” between the Internet and the facility’s internal network, then we are all in danger. I’m not suggesting that we will see reactors explode and planes fall out of the sky. I could, however, see the day when it becomes harder to perform research unpopular to a certain regime. Politics aside, we are living in a world where one nation can perform no end of trickery on another in the name of national security.

Second, this attack shows us that cyberwarfare can cause collateral damage. Because this worm jumped out of the facility and into the wild, it’s clear that even the best laid schemes aft gang agley. Anyone – be it in government, security, or development – who thinks this is a magic bullet akin to the neutron bomb. As we become dependent on the networks that support our lives – visibly or invisibly – a worm that has jumped the rails can (and dare I say will) come to affect all of us at some point. It’s just a matter of time.

Cyberwar has grown up. I hope we learn to use it more wisely than we’ve used other technologies of destruction.

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Watch Dogs: Game Demo

The start is a bit slow but stay with it till the shoot out at the end. Visit http://watchdogs.ubi.com for more info.

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Apolis + Fabric Auckland Market Bag

Apolis have teamed up with Auckland retailer, Fabric to create the last item from their Local + Global project, “connecting regional retailers with our global advocacy and helping to create consistent employment for artisans in rural Bangladesh”. The Apolis + Fabric Auckland Market Bag is sold exclusively at Fabric in Auckland, New Zealand. The press shot above shows some of New Zealand’s finest exports, including The New Order Magazine.

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Home Sweet Home

Gramercy Park Townhouse by Fractal Construction.

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Tom Ford Sells His Home in London

Tom Ford has sold his home in London’s Mayfair neighborhood for an undisclosed price and is reportedly on the hunt for a new residence in England’s capital.

The designer bought the 8,222 square Georgian townhouse in 2004 for £5.75 million, or just over $9 million at current exchange. He tried to sell it in 2009 for £45 million — about $71 million in today’s money — but took it off the market when he didn’t find a buyer.

Now that he’s sold his Mayfair residence, he’s said to be looking for a house in London’s South Kensington area. Until he finds one, he has residences in Paris, New York, and New Mexico where he can stay.

Take a look at one of his other homes in London’s Chelsea neighborhood, a 3,700-square-foot home that a subsequent owner listed for £8.5 million (about $13.4 million) in 2009.

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NOWNESS: Inside James Franco’s Rebel


Inside Rebel: Part One from Matt Black on Nowness.com.

Inside Rebel: Part Two from Matt Black on Nowness.com.

Actor, artist and curator James Franco reveals the genesis of his visceral art-film crossover exhibition, REBEL, in the first installment of filmmaker Matt Black’s two-part exposé. Inspired by the mythology surrounding Nicholas Ray’s pioneering 1955 film Rebel Without a Cause, the show at LA’s MOCA includes collaborations with a stellar cast of leading contemporary artists, including Paul and Damon McCarthy, Aaron Young, Harmony Korine, Ed Ruscha, Terry Richardson and Douglas Gordon. Working closely with Franco, the artists reinterpreted and remixed the main themes, scenes and tragic events of the original—from the automotive death of lead actor James Dean to the rumored affair between the 44-year-old Ray and 16-year-old starlet Natalie Wood—all set inside a replica of LA’s iconic Chateau Marmont. “James created a relationship with each of the contributors; he is the narrative in between them,” says Black. “It’s almost as if James was making a movie and cast them as actors to fulfill all the roles.” Franco plays a central part in the show’s take on Ray’s teen-angst masterpiece. In Korine’s short paying homage to the movie’s famous knife fight outside the Griffith Observatory, Franco faces off with a BMX-riding posse of naked female gangsters. For another, he had tattoo artist Mark Mahoney carve the name of late actor Brad Renfro, who passed away in 2008 at the age of 26 from a heroin overdose, into his shoulder with a switchblade.

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Design Film Trilogy a limited-edition box set of Helvetica, Objectified & Urbanized

‘Design Film Trilogy’ limited-edition box set of all three Gary Hustwit directed documentary films (Helvetica/Objectified & Urbanized). The set consists of a cloth-bound slip-case, 3 disc-tray and 72 page signed book. The hardback book contains essays by Steven Heller and director Gary Hustwit, with behind-the-scenes photography of all three films. We devised a system of abbreviating each film (He-Helvetica/Ob-Objectified/Ur-Urbanized) giving the box set an individual identity in of itself. This marks the end of a great relationship with Gary and the studio, which started with Michael (Build’s Creative Director) being asked to be in Gary’s first documentary film ‘Helvetica’ (2007), then being asked to design identities/packaging for his next two films ‘Objectified’ (2009) & ‘Urbanized’ (2011). Client-Plexi Films. Year-2012.

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Secrets of Superbrands: Technology / Fashion / Food




Alex Riley explores the world of the superbrands in a three part series on Technology, Fashion and Food – how they get us to buy their stuff, trust them and even idolise them.

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The Wythe Hotel in Williamsburg, Brooklyn, NY

Wythe Hotel started with the discovery of an old factory on the Brooklyn waterfront. Built in 1901 as a cooperage, we have preserved, renovated, and turned our historically industrial building into a place where people feel welcome.

80 Wythe Ave. at N. 11th Williamsburg, Brooklyn, NY 11249
P:718-460-8000  F:718-460-8001  hello@wythehotel.com

Click here for more information.

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Food and Fashion by Fulvio Bonavia

The great editorial photographer Fulvio Bonavia has merged a passion for fashion with the love of food to create a series of style accessories out of fruits, vegetables and more. These creations are amazing!

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The IKEA Premiere of UPPLEVA


The Times Of India Article –

IKEA is already the one-stop shop for smart and compact home furnishing. Now they are venturing into the world of technology-with theIKEA TV.

The new furniture range, named UPPLEVA the Swedish word for experience, integrates an LED TV, a sound system with wireless bass speakers, an internet connection and CD, DVD and Blu-ray players-all in one self-assembly piece.

Although the TV and the other electronics are made by Chinese manufacturer TCL, IKEA has built everything around them, hiding the masses of cables that can be a nuisance and make a living room look shabby.

To further simplify things, IKEA and TCL have combined all the controls into a single remote. The furniture surface is especially designed to allow the remote’s signals through, so the devices can remain hidden from view.

The TV screens are available in four different sizes, from 24 inches (60 centimeters) to 46 inches (117 centimeters), and in a range of colors including gray, black and blue. Users are also able to plug in their iPods or other MP3 music players.

Like most IKEA furniture, the UPPLEVA is purchased in a flat-pack and is ready for assembly at home for those handy with screwdrivers and other tools.

The furniture comes in three designs and will be sold first in Sweden, France, Poland, Germany and Italy in June, with a few more marketsdue to launch in the second half of the year. By the first half of next year, it will be available worldwide, with the cheapest costing about 6,500 Swedish kronor ($955).

To test market appetite for its latest innovation, IKEA had a survey conducted by pollster YouGov. The poll showed that three out of four people want less visible cables in their living rooms and 50 percent wanted to reduce the amount of electronics lying about.

The study, done in five countries with more than 5,200 respondents between Feb. 29 and March 15 this year, also showed that 60 percent of the people asked have between three to four remote controls at home.

“We’ve realized that people are watching more TV and are using electronics in their living rooms more and more,” IKEA spokeswoman Ylva Magnusson said. “We came up with this because we found that people want to get rid of the cables and they don’t want those mountains of remote controls either.”

Martin Rask, a 38-year old from Stockholm, said the all-in-one concept sounded interesting but wondered how it could keep up with new technologies.

“The furniture is a tempting idea-I’m wrestling with a bundle of cables at home myself at the moment-but the problem is that so many new things are released all the time,” he said. “I’ve had three different Internet suppliers in the past year for example, and imagine if you had an old VHS player built into your furniture that no one is watching.”

Magnusson at IKEA said that although the electronic devices are physically attached to the furniture, there is plenty of room for customers to put in IKEA-designed add-ons.

IKEA employs more than 130,000 people and has 280 stores in 25 countries. Last year it drew 655 million customers.

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The Avengers user interface designs by Jayse Hansen


Take the time to have a look at all the detail that went into all the interfaces designed by Jayse for The Avengers movie. I impressive. Here’s what Jayse had to say on his site –

This is just an image dump of marvel approved stills and screenshots of my work on the film. I’ll do a proper post soon – this is a fraction of the work – But I had the distinct pleasure of working with Cantina Creative, leading the design of the glass screens for the Helicarier in the Avengers. I also led the design and animation of the all new and upgraded Mark VII Hud. 
All work was done in Illustrator, After Effects and Cinema 4d. 

Included are some partial explanations of how the HUD diagnostic functions
Variations of it in ‘all clear’ mode, and a ‘battle mode’, after the suit has suffered damage and new windows have popped up to show depleted weapon stores and hazardous environmentals and general.

The flight menu was designed with input from an A-10 Fighter Pilot. I like to keep my stuff accurate – while still taking design liberties that films afford. 

I start all designs on paper so I included some ideas for the dock icons. When I sketch stuff out – I find it important to not use a ruler and give yourself ‘permission to draw badly”. In the final icons, the more detailed versions show system status based on the way they animate.

Add on note – I’m all about giving credit where credit is due (mainly because I’ve never gotten credit until this film – screen designers typically don’t unfortunately.) 

A lot of people are giving me sole credit for everything designed in the film – but I don’t deserve that much credit. I like to always mention that I was part of a small elite crime-fighting team called Cantina Creative. 

This page represents just a small part of what I did in my 7 months buried in the Avengers Universe, and an even smaller part of what the entire team did for the film. There’s also the Loki search monitors, the on screen playback monitors, stark devices and the science lab monitors (which just used my designs as the foundation framework.)

We had a ton to do – these screens are seen in over 70% of the film, and I’m proud of what our team pulled off under the guidance of the always awesome Venti Hristova. 

We all worked super hard on this film – and became a family of friends for life. So I just wanted to give a shout out to my fellow Cantina peeps here:

Visual Effects Producer
Sean Cushing
Creative Director
Stephen Lawes
Visual Effects Supervisor
Venti Hristova
Visual Effects Coordinator
Lilly Shapiro
Assistant Coordinator
Jason Ramsey

“Club Suave” badass Design and Animation team
Jonathan Ficcadenti
Alan Torres
Navarro Parker
Sang Shin
Asuka Ashizawa
Takashi Takeoka 
Sarah Blank
Lukas Weyandt
Leon Nowlin
Jayse Hansen

Avengers TM & © 2012 Marvel and Subs

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