Apple-Samsung Trial Verdict: Apple Wins Big, Jury Awards Apple $1 Billion Plus

Cult of Mac Article –

In a surprisingly quick judgement, the jury in the Apple-Samsung trial found Samsung infringed several of Apple’s patents and awarded the Cupertino company more than $1 Billion in damages.

Here are the decisions:

– On the question of patents on the bounce-back technology featured in Galaxy line of smartphones immediately following the launch of the iPhone, Samsung is liable.

– On the question of pinch-and-zoom technologies, mostly based on one-and-two fingered control, the jury finds Samsung is guilty. Not all of the phones and tablets have been tagged as liable but many of them. (The damage figures could be huge.)

– On the question of tap and zoom technologies, Samsung is guilty. There are fewer devices dinged.

– Jury finds Samsung should have known that its divisions were enabling infringement actions.

– Jury finds Samsung DID NOT infringe iPad patents. That’s one on the column for Samsung.

– On the question of UI, mostly based on the iconography of the front screen of the iPhone, the jury finds Samsung guilty.

– This might be the biggest one so far: On the question of willfulness on most of the infringement of patents, the jury finds Samsung guilty as well.

– The jury ultimately upholds most of Apple’s patents. Samsung is barred by “patent exhaustion” from using patents 516 and 941. In the original instruction form Apple denied “infringed claims asserted by Samsung” and argued claims asserted by Samsung were invalid. The jury agreed.

– The jury decides against awarding Samsung any damages. Zero.

– The jury finds Samsung did not break Apple’s anti-trust exception.

– After reviewing the verdict, Judge Koh noted discrepancies that wrongly gave Apple more money than it deserved. The first is a judgement on the Galaxy Tab. There was no infringement for the Tab patent but the jury had given more than $200,000 in damages. A second problem involved a trade dress judgement, which involves more than 2M dollars. Considering the judgement leveled more than a Billion dollars upon Samsung, a 2M dollar saving is strictly irrelevant.

The final damage amount is $1,049,343,540.

DAMAGES AWARDED TO APPLE PER PHONE

Samsung Prevail: $57,000,000.00

Samsung Infused: $44,792,974.00

Samsung Replenish: $3,350,256.00… more to come.

The jury has reached a verdict in the Apple-Samsung trial and we’ll update with comments from reactions from tech luminaries from around the web.

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A$AP Rocky x Black Scale New Era Strap Back

The limited A$AP Rocky and Black Scale collab capsule collection sold out in only a few minutes on the Black Scale web store. For those who missed out New Era Strap Back will be getting an exclusive, and very limited in-store re-release dropping soon.

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Disney Illustrations by tobe77

Cool Disney character illustrations and graffitis by artist named tobe77, Germany.

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Food for thought.

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Snap!

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2013 Fiat 500 Turbo

Autoblog Article –

The big change worth talking about is under the hood where Fiat has employed a detuned version of its 1.4-liter MultiAir turbocharged inline-four, good for 135 horsepower and 150 pound-feet of torque. That represents increases of 34 and 52, respectively, over the standard 500, but falls 25 hp and 20 lb-ft short of the mighty Abarth. That grunt is matched with a five-speed manual transmission, and specific performance enhancements include a sport suspension, better steering calibration (to be fair, we’ve heard that one before with the Abarth), stiffer shocks and upgraded brakes. Sounds potent. And we certainly hope that the Turbo’s sport-tuned exhaust delivers the same sort of throaty growl that we’ve fallen in love with on the Abarth. (In case you forgot, head over to our First Drive and hit the play button on the video to hear that superb exhaust note.)

Visually, the Turbo is set apart from base models with the addition of a unique aero kit and smoked-out headlamps. Inside the cabin there are sport seats, a leather-wrapped steering wheel and shift knob, and optional heated leather seats. The coolest interior feature, however, is that the 500 Turbo will employ theChrysler Group’s Beats by Dr. Dre audio system. Good, since the standard stereo in the 500 is, well, not good.

The 500 Turbo goes on sale this fall priced from $19,500,

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A land before time.

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Makeshift: On Purpose Mixtape

Tracklist –

1. Nothin’ Light
2. Props
3. Clockwork
4. On Purpose f. Chip Gnarly & PCH
5. Mine For The Night
6. Skate Life
7. 1995 (interlude)
8. P.S.A.
9. Reminisce

DOWNLOAD

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Conference of Cool.

DJ Khaled and Rick Ross.

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Supreme Fall/Winter 2012 Lookbook

The Supreme Fall/Winter 2012 collection will be available on August 23rd at their NY, LA and London stores and August 25th in Japan.

The Supreme online shop will re-open on August 30th.

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Rapha Cycle Club by Brinkworth

Brinkworth were commissioned to develop the Rapha Cycle Club concept into an environment that would reflect the core cultural values of Rapha’s heritage, the glory and suffering of world road cycling. The first permanent UK Cycle Club now open in London’s Soho, builds on Rapha’s vision to provide a meeting place for the cycling community to eat, drink, watch racing and shop from the full Rapha product range, totally immersing themselves in a space dedicated to the pursuit of road cycling…

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Jay-Z Opening Rocawear Store In Brooklyn Nets Stadium

The New York Times Article –

When the developer Bruce Ratner set out to buy the New Jersey Nets and build an arena for them in Brooklyn, he recruited Jay-Z, the hip-hop superstar who grew up in public housing a couple of miles from the site, to join his group of investors.

Mr. Ratner may have thought he was getting little more than a limited partner with a boldface name and a youthful following that could prove useful someday. But Jay-Z’s contributions have dwarfed the $1 million he invested nine years ago. His influence on the project has been wildly disproportionate to his ownership stake — a scant one-fifteenth of one percent of the team. And so is the money he stands to make from it.

Now, with the long-delayed Barclays Center arena nearing opening night in September and the Nets bidding in earnest for Brooklyn’s loyalties, Jay-Z will perform eight sold-out shows to kick things off. But away from center stage he has put his mark on almost every facet of the enterprise, his partners say.

He helped design the team logos and choose the team’s stark black-and-white color scheme, and personally appealed to National Basketball Association officials to drop their objections to it (the N.B.A., according to a person with knowledge of the discussion, thought that African-American athletes did not look good on TV in black, an assertion that a league spokesman adamantly denied). He counseled arena executives on what kind of music to play during games. (“Less Jersey,” he urged, pushing niche artists like Santigold over old favorites like Bon Jovi.)

He even coached them on how to screen patrons for weapons without appearing too heavy-handed. (“Be mindful,” he advised oracularly, “and be sensitive.”)

In the two and a half years since groundbreaking, as taxi-roof advertisements promised “All access to Jay-Z,” and sponsorship salespeople trumpeted how “hip and cool” he and his wife, Beyoncé, would make the arena, he and the Nets have effectively written a new playbook for how to deploy a strategic celebrity investor.

If it has been done elsewhere — see Usher with the Cleveland Cavaliers, Will Smith with the Philadelphia 76ers, and Jennifer Lopez and Marc Anthony with the Miami Dolphins — no team has come close to making as much out of a famous part-owner.

And none of the dozens of other current and former part-owners of the team have played so public a role — not even Mary Higgins Clark, the best-selling author, though she read to children at a Nets literacy event.

“He is it,” Mr. Ratner, the developer, said in an interview. “He is us. He is how people are going to see that place.”

As much as his partners, including Mikhail D. Prokhorov, the Russian billionaire who bought 80 percent of the team in 2009, are getting out of him, Jay-Z, whose real name is Shawn Carter, is benefiting handsomely, too, beginning with free use of one of 11 exclusive “Vault” suites, for which paying customers are charged $550,000 a year.

Suite owners will have access to a Champagne bar serving Armand de Brignac, an expensive bubbly that Mr. Carter promotes and in which he holds a financial interest, according to a biography by a writer for Forbes. The arena will contain a 40/40 Club, an iteration of his sports-bar-style nightclub chain. There will be a Rocawear store, selling his clothing line, on the arena’s exterior. Even the advertising agency used by the Nets, Translation, is half-owned by Mr. Carter.

There is also an important intangible asset, particularly for a rapper: the bragging rights that Mr. Carter has enjoyed as a part-owner since Mr. Ratner’s group paid $300 million to acquire the Nets. His slender stake was enough for Mr. Carter to thump his chest in his lyrics, promising to “bring you some Nets.”

Mr. Carter has capitalized further on his Nets investment by extending the Jay-Z brand into endorsement deals normally reserved for elite athletes. He stars, wearing a Nets cap, in a Budweiser TV commercial that was broadcast during the Olympic Games. And he was named executive producer of the basketball video game, “NBA 2K13.”

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Snap!

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Original Nike Air Bag Patent Drawings

1987 was a big year for Nike by all accounts. We were reminded of that just a bit during this 25th anniversary with bringbacks like the Nike Air Safari, but one no doubt more momentous model from that pivotal year has been relatively quiet. That model is the Nike Air Max 1, the Tinker Hatfield designed masterpiece that first introduced the world to the concept of Visible Air which has stayed stuck on the bottom of countless sneakers ever since. And yeah you’ve heard the stories of Tinker’s travels out to France and the skeletal structure of the Pompidou Centre that inspired its bare-all design, but have you seen the building blocks that got the Air Max technology on shelves?

We have. Pictured here is the original patent request for the innovation, described at wordy length without title we know it by today (Although we appreciate the switchup-Nike Viscoelastic Unit Comprised Of A Resilient Gas Inflated Insert Within A Shock Absorbing Foam Material just doesn’t doesn’t have the right ring to it). Interestingly enough it’s not Tinker’s name on the patent papers but first and foremost that of another powerful Nike name: Mark Parker. Click through with us to check out the original sketches that built a legacy of so many sneakers afterwards, complete with the original rationale for the Nike Air Bag that serves as a reminder that once upon a time your Nike Air Max 1′s and the like truly were state of the art and intended for the purposes of running.

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Danny Brown

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Food for thought.

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Arran Gregory X Brutus


Arran Gregory X Brutus from Brutus Trimfit on Vimeo.

Our Button-Down Trimfit shirts have been worn proudly since 1966 as a reflection of ones personal style, a dedication to a particular look, the following of a specific sound and an obsession with fit and detail.

In anticipation of what is undoubtedly a monumental year for Britain, it is with great excitement that we launch our BRITISH ILLUSTRATORS PROJECT.

We have decided to come up with a new way for people to interpret their own unique style and what Brutus means to them, by commissioning young British illustrators to draw directly onto our famous Trimfit shirts.

The first Artist we have had the pleasure of working with is Freelance Illustrator/ sculptor Arran Gregory, who graduated from Chelsea College of Art in 2009 and has gone on to become one of the most sought after talents in London’s creative world having already worked for CocaCola, Slam City Skates, Penfield USA, Pointer Footwear, Emerica, Urban Outfitters, Jaguar Shoes Collective and more.

He describes his work as a battle between maximallism and minimalism, which can be seen in the simplicity while extraordinarily intricate detail of his drawings, or the complex geometric form of his life sized animal sculptures.

You can see how Arran has taken his pen to the idea and beautifully illustrated three 1-off pieces, in this accompanying film by skateboard & lifestyle freelance cinematographer Henry Edwards-Wood.

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Futura Talks About the Reinvention of His Art

Complex Article –

Leonard Hilton McGurr grew up on 103rd and Broadway in Manhattan during the boom years of train bombing. As a youngster in the 1960s his eyes were drawn to the bustling graffiti scene, searching for his own vision in 1970 as a 15 year old. Looking up to SNAKE, CAT 87, STITCH I on a local level as well as all-city legends PHASE 2, FLINT, and STAY HIGH 149, he mostly ran with ALI as one of the Soul Artists focusing on the 1 and 3 trains.

The former Futura2000 began as a “toy,” more fan than hero and far from even scratching the surface of local legend status. But the numerical portion of his artistic alias spoke to a grand view and a particular ambition that was absent from others painting around him. “My name is a direct response to 2001 A SPACE ODYSSEY from Kubrick,” he explains. With many writers employing street numbers in their names, he “was looking for something unique; something about Futura2000 sounded good at the time.”

After an accident in a train tunnel—a friend of his stepped on the third rail and was badly burned—Futura spent the years 1974 to 1978 traveling the world in the Merchant Marines before returning to New York to focus on his work with new passion. Rather than playing with his own take on wild-style lettering, Futura began to carve a separate path. “I started painting in late ’79,” McGurr recalls, “I was always influenced by graphic design and I wondered if spray painting could be action painting.” Though it was far from Jackson Pollock, his distinctive style—abstract, atomic forms written over lush sprays of dense color—diverged from the popular character-writing style of his graf peers and soon found favor in another world, the bustling downtown New York art scene.

Read the rest of the story here

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Conference of Cool.

Tim Burton and Vincent Price.

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Snap!

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