Category Archives: ARCHITECTURE

The Paris New York restaurant specializing in burgers offer a place combining Parisian spirit and mind New Yorkers without falling into the cliches of the genre. A black ceiling, dressed bulbs Broadway recalling dialogue with floor tile cements geometric patterns. The provision mirrors facilitates dialogue between the patina of the walls and the fuselage of the bar and the staircase leading to the upstairs room.Dressed in riveted aluminum, the bar is monolithic telescope of the staircase whose aesthetic is reminiscent of the U.S. Air Stream. The steel structure of the staircase is visible from inside kept reminding workshop bays and structures Eiffel.

Photos by David Foessel

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South Africa comes with some of the most beautiful, untouched land– and when you’re living amongst it all, there’s no way that you can’t take advantage of the views. This completely glazed home by Saota Architects sits along the edge of the Crescent Bay.

The overall layout of this home is quite open with plenty of secluded areas created within each space. The master suite is a sensual space, complete with a bed centered in the room and the bathroom just beyond, with a glass enclosure shower. The space remains quite linear within the natural setting, keeping the focus on the almost 360 degree views.

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Project description

This house is sited among tall buildings in downtown Hiroshima, overlooking a street with many passing cars and trams. To obtain privacy and tranquility in these surroundings, we placed a garden and optical glass façade on the street side of the house. The garden is visible from all rooms, and the serene soundless scenery of the passing cars and trams imparts richness to life in the house. Sunlight from the east, refracting through the glass, creates beautiful light patterns. Rain striking the water-basin skylight manifests water patterns on the entrance floor. Filtered light through the garden trees flickers on the living room floor, and a super lightweight curtain of sputter-coated metal dances in the wind. Although located downtown in a city, the house enables residents to enjoy the changing light and city moods, as the day passes, and live in awareness of the changing seasons.

Optical Glass Façade

A façade of some 6,000 pure-glass blocks (50mm x 235mm x 50mm) was employed. The pure-glass blocks, with their large mass-per-unit area, effectively shut out sound and enable the creation of an open, clearly articulated garden that admits the city scenery. To realize such a façade, glass casting was employed to produce glass of extremely high transparency from borosilicate, the raw material for optical glass. The casting process was exceedingly difficult, for it required both slow cooling to remove residual stress from within the glass, and high dimensional accuracy. Even then, however, the glass retained micro-level surface asperities, but we actively welcomed this effect, for it would produce unexpected optical illusions in the interior space.

Waterfall

So large was the 8.6m x 8.6m façade, it could not stand independently if constructed by laying rows of glass blocks a mere 50mm deep. We therefore punctured the glass blocks with holes and strung them on 75 stainless steel bolts suspended from the beam above the façade. Such a structure would be vulnerable to lateral stress, however, so along with the glass blocks, we also strung on stainless steel flat bars (40mm x 4mm) at 10 centimeter intervals. The flat bar is seated within the 50mm-thick glass block to render it invisible, and thus a uniform 6mm sealing joint between the glass blocks was achieved. The result?—a transparent façade when seen from either the garden or the street. The façade appears like a waterfall flowing downward, scattering light and filling the air with freshness.

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The glass block façade weighs around 13 tons. The supporting beam, if constructed of concrete, would therefore be of massive size. Employing steel frame reinforced concrete, we pre-tensioned the steel beam and gave it an upward camber. Then, after giving it the load of the façade, we cast concrete around the beam and, in this way, minimized its size.

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The site is situated on a horseshoe shaped island and faces north and east. The cross like shape of this simple villa reaches towards four very different views. There is no one and only direction on the site as usually, but you can see lake in three directions and you have a nice forest view to the west. You get morning light at the breakfast table, midday in dining room and evening in sitting room. There is no direct sunlight in the bedroom so you don’t need curtains. Terraces are covered to prevent the hot summer sun overheating the building but allowing passive solar energy in the winter.

You can open the double doors to the terraces so that the limit of interior and exterior disappears. The space is open and defined at the same time. The exterior is treated all black to contrast the interior, which is very light. Dark color makes the building disappear totally when seen from the lake. The roof is flat – there is some warm irony to the clichés of modern architecture.

The basic idea is to provide an example of sustainable cottage in contrast to normal Finnish cottages that are heated all year round with electricity to prevent water pipes from freezing. The building is insulated well and heated by wood from own forest only resulting in a carbon neutral building. There is no running water and the electricity is provided by the sun. Vegetables and herbs are cultivated on site and the Vaskivesi Lake is known as a good place to catch pike-perch. The simple and ascetic life at the countryside differs dramatically from the hectic city life and provides a possibility to live a life with a minimum impact to the nature.

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Chalet C7 is located in the Andes Mountains of Chile. The house is tucked into the slope to help blend it into the surrounding landscape. The home has two levels. The lower level includes the bedrooms and private spaces, and the second floor is a wonderful open view of the landscape and mountain lake.

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Eduardo Chillida, Moñtana Tindaya Project, Fuerteventura, Spain.

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On first glance, The Passenger restaurant, recently opened in the trendy Malasaña neighborhood’s Triball area in Madrid, Spain, appears like any retro dining establishment with heavy-handed use of leather, brass and dark wood. Yet there is a distinct undertone of a train, of a fine passenger train of a bygone era.

The bulky and clubby arm chairs, the iron table legs, the big windows all refer to a time when heads of state and industrialists, often travelling with their wives and servants, occupied entire train cars and dined in the most lavishly appointed dining cars rivalling the best-known fine establishments of the time.

But the real fun aspect of the 150-seat The Passenger — coffee bar by day, rock bar by night —  is the illusion of movement. The three “windows” in the main seating area are actually video screens onto which a constant, synchronized stream of video is programmed so that it flows  from window to window, creating a feeling of looking out the window of a moving train.

The stylized train view, evoking an alternate state of being in the middle of busy Madrid, was created by Spanish video artist Franger. The images of both urban scenes and natural landscapes were recorded from actual trains around the world.

The restaurant’s designers at Parolio took their inspiration from the long-and-narrow space and then continued with the train travel concept throughout. Consistent with the classic rock music played at night, the main hall of the restaurant is decorated with images of the greatest stars of classic rock pictured in trains and railway stations.

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